Thursday, March 18, 2010

Alex Chilton

One of the greatest songwriters of rock music died yesterday, thus finalizing the history of "Big Star", a band that, while essentially unnoticed during its existence (kudos to morons from recording/distributing companies) in mid 70s, went on to become a hugely influential act (think R.E.M, Replacements, Teenage Fanclub, Primal Scream, The Posies, Ellioth Smith etc. etc.) and the quintessential listening for anyone who has a taste for clever pop music and perfect melodies. Their music is of the kind that is far better to listen to that to talk about, so just do it.

BTW, for what it's worth, i had a dream a couple of days ago that involved music of "Big Star", and thought of relistening their albums (which i do quite regularly).
Thanks for the music, man!







Monday, March 8, 2010

Mark Linkous commited suicide

His music is (let me use this plain word) very sad. He apparently suffered from a depression and commited suicide. He made 4 albums in a period of 15 years, and all four are very good. Those are simple statements. Fwiw, there are 13 pages of comments about his death at his last.fm page shoutbox and only 6 pages for all the previous years.
Oh yeah, he was better known under the moniker Sparklehorse.
Interesting detail about all this: Rolling Stone states that "In 1996, Linkous actually died for two minutes after ingesting a dangerous mix of Valium and antidepressants while on tour in the U.K." and that in a later interview he said: “I was really scared that when I technically died (...) the part of my brain that allowed me my ability to write songs would be damaged”.
That reminds me of two akin situations that had happened before. First, there was eminent russian poet Fyodor Tyutchev, whose first concern after he had recovered from a serious illness was if he was still able to think clearly, if his brain functions were ok; second, after great writer Jorje Luis Borges (about 70-80 years later than Tyutchev) recovered from a near deadly head injury, his first concern was if he still could read and, then, write. I guess it shows what universal narrowness of specialization means. Pretty soon you'll find yourself wondering if you still can make that inverted d 350 APM bunny hop while lying on a deathbed. Gosh!


----------------
Now playing: Gasoline Horseys - foobar2000
via FoxyTunes

Sunday, March 7, 2010

Vladimir Kozlov, "School"


In spite of the fact that Russia (especially its periphery) has been plunged into gopnik subculture for 25 years now (one can argue it's actually 30 or 40), still little has been said and written about it, and phenomenon goes for the most part unnoticed by the beaux-arts. Granted, there are some films and books, but they usually offer either "intelligent" take on the theme, picturing gopniks as your by the book villains, or "quasi-romantic" take, where you have them as russian blood and soil heroes (the latter stance is explored by trash art, for example). So it's always interesting to read a guy who has something to say about everyday life of teenagers (late 80s in our case) without proving any moral point or making himself look good.
"School" was written in early 00s (it's Kozlov's second book, the first one being a collection of stories straightforwardly called "Gopniks"); it portrays works and days of a labour class guy from Mogilev (present-day Belarus), his works consisting of visiting school and local factory for practice, and his days - of roaming about the block, drinking "ink"(cheap fruit wine) with homies and trying to pick up with girls. Stiff educational patterns of the falling apart empire and mass alcoholism, first sex and lame football fandom, "Ласковый Май" ("Tender May") and "Кино" ("Kino") on the cassette tape, school bus excursion to Saint-Petersburg with significant predominance of shopping and drinking over sightseeing, - somewhat predictable but still exciting set of topics.
Some reviewer compared Kozlov's text to "The catcher in the rye". It's incorrect, of course. "School" is far less introspective (actually it's not introspective at all, sometimes it has almost naturalistic feel about it) than Salinger's book, far more verbose and doesn't seek to go beyond the honest and simple description of everyday's life. But it's good at what it is; the style is concise, slang is abundant and well-used, plot is all but absent and no moral lessons are to be drawn.

Thursday, March 4, 2010

So i decided i should totally start a blog

Hopefully it'll be a succesfull attempt to
a) start a page where i will actually be writing something with at least some level of regularity;
b) use it as a place to save my random bursts of creativity or just rare occasions when i have some thoughts that i feel like writing down instead of, well, just forgetting them.
After some deliberation it becomes clear that a) and b) are pretty much the same sentence, just differently composed, so i guess i better move on.
For the music stuff i have http://rateyourmusic.com/~fuy, so here i hope to pay more attention to the books i read and to all kinds of nonsense i find fitting to be here.
And just to set a tone, here is a wonderful Wallace Stevens' poem from which i rather straightforward took the blogs' title:

The Snow Man
One must have a mind of winter
To regard the frost and the boughs
Of the pine-trees crusted with snow;

And have been cold a long time
To behold the junipers shagged with ice,
The spruces rough in the distant glitter

Of the January sun; and not to think
Of any misery in the sound of the wind,
In the sound of a few leaves,

Which is the sound of the land
Full of the same wind
That is blowing in the same bare place

For the listener, who listens in the snow,
And, nothing himself, beholds
Nothing that is not there and the nothing that is.